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Group Shows at UWE
| Multi-Box Project 2 Barbara Greene Multi England A celebration of the 1st year of MULTI’s existence where all founder members have contributed a piece of art in an edition of 25 prints displayed in a handmade box. |
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| The Printed Reality Paul Laidler Centre for Fine Print Research, UWE England The exhibition presents theatrically composed photographic images that are suggestive of an image world phenomenon under the broad themes of landscape, portrait and still life. |
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| Love in the 21st Century and Modern Graphic Art from Estonia Jaak Visnap Estonian Lithographic Centre Estonia 2 exhibitions from the Estonian Lithographic centre: Love in the 21st Century & Modern Graphic Art from Estonia. A selection of Large colour lithography printed form Lithostones. |
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| Stories of our Making: Contemporary Prints from Australia Jan Davis Southern Cross University Australia Stories of Our Making presents a breadth of contemporary Australian printmaking with an emphasis on artists whose work reflects an investigation of Australian identity. |
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| The Laughing Bear - an international print portfolio exchange Diana Eicher Minneapolis College of Art & Design United States of America In order to raise awareness about domestic abuse, selected international printmakers were invited to create prints based on the prose poem “The Laughing Bear” by Katherine Tilton. |
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| Outreach Printmaking - Towards a truly accessible artform Mr. Simon Ripley Double Elephant Print Workshop England Artworks produced by users of our outreach mental health service, at psychiatric units and hospitals, using an outreach mobile print studio whereby printmaking can be taken into rural communities, prisons, hospitals, festivals and schools. |
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| Tower of Babel - Celebrating the chaos of cross cultural communication Prof. Ruthann Godollei Macalester College United States of America This portfolio exchange explores communication, shared language, politics, international relations and idea exchange across different groups across time. |
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| A selection of work from exisiting Multi-Disciplinary Printmaking MA students. Artists from UWE, Bristol Richard Anderton England A collection of printed artworks using a variety of print methods, with a fixed format. Originally an exchange between UWE (Bristol) and TNUA (Taiwan) the collection now includes work from current MA Print students at UWE. |
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| Manu Propria Graphic Arts from Estonia Mr. Loit Joekalda Association of Estonian Printmakers Estonia MANU PROPRIA (= "with one's own hand"). Some printmaking techniques require using technologies of more or less manual work. All the exhibition works have printed by artist’s own hand, mainly in Tallinn Printmaking Studio – Graafikakoda. |
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| Ganjifa Portfolio Mrs. Kavita Shah College of Architecture India The porfolio contains work from 54 printmakers from across the globe – each one has created one playing card in an edition of 60. |
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| Old Traditions in new clothes Edward Bernstein Hope School of Fine Art Indiana University United States of America An exhibition of international artists who are involved in similar pursuits, i.e. combining cutting edge technology with traditional print techniques who are also inspired visually and conceptually by traditional sources. |
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| New Wave - Demonstrating examples of concepts and formats of artists publishing Sarah Bodman & Tom Sowden Centre for Fine Print Research, UWE England In an arena that now includes both digital and traditionally produced artists’ books, what will constitute the concepts of artists’ publishing in the future? Part of a two-year AHRC funded research project: What will be the canon for the artist’s book in the 21st Century? |
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| Another New Zealand / Another United States Mr. Michael Reed Christchurch Polytechnic Institiute of Technology New Zealand World-wide, readings of news publications provide examples of how power corrupts. What is plainly evident in many of these examples is that the victims, or collateral damage, are civilians, the young and the weak, the economically and socially disadvantaged and those that have little or no commercial value or power in society. |
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| Converging Collections: Imprints celebrated through the process of gathering Prof. Laura Berman and Jill Fitterer Kansas City Art institute and Boise State University United States of America An exhibition which gathers together in celebration, two unique personal collections harvested for the IMPACT 6 conference held in Bristol, through the use of printmaking and artist books. |
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| Surimono / international : Woodblock and poetry Mrs. Nel Pak Netherlands An international portfolio of fine woodblock prints, which include poetry and image, as a modern take on the Japanese surimono tradition. 14 prints come from Japan, USA, Mexico, The Netherlands, Denmark, Germany, Poland and New Zealand. |
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| Interpretations of Landscape explored through Print Frea Buckler, Ian Chamberlain and Dave Sully UWE Print Centre England Interpretations of Landscape explored through Etching, Collagraph and Silkscreen from the School of Creative Arts Print Centre, UWE staff. |
| A Visual History of the George W. Bush Presidency Prof. William Mathie Edinboro University of Pennsylvania United States of America A portfolio exchange, inspired by repeated statements by American President George W. Bush, that history would be the judge of his presidency. This portfolio of images is being created to record an assessment of that history at the close of his time in office. |
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| Triple Echo - Collaborative Printmaking initiative between UClan, Liverpool JMU and Wirral Metroplitan College of fine art Mr. Pete Clarke Eight days a week England Triple Echo is a reciprocal exhibition of contemporary printmaking between the University of Central Lancashire, Liverpool John Moores and Wirral Metropolitan College, Birkenhead. It aims to encourage artists to cultivate their own personal themes and interests to create experimental and innovative artwork professionally presented in the public domain. |
| Made at DCA - Celebrating 10 years of collaborative editioning Annis Fitzhugh Dundee Contemporary Arts Scotland Over the past 10 years Dundee Contemporary Arts has presented some of the most vibrant and challenging work by both emerging and established, internationally respected artists. The Exhibition consists of a selection of printed works produced over the decade. |
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| 2nd Engraving Invitational Portfolio Exchange Prof. James Ehlers Emporia State University United States of America This portfolio exhibition is a celebration of the act of engraving. Its goal is to expand awareness of this elegant and difficult technique as well as provide a forum for contemporary engravers. Its participants span a remarkable range of styles, from the very traditional to more abstract, from expressive to the very technical. |
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| Injured Text : a Common Language? Mr. Neil Morris Liverpool John Moores University England This project provides a platform for a diverse group of art and design practitioners to explore these notions of commonality and difference, authorship and readership, through the unifying media and graphic possibilities of printmaking. |
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| Art Dialogues - Rabbit Saves the World Part 2 Anita Jung Ohio University United States of America |
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| Signs of the Time - Wayfinding - , multi - Participants, themed around 'Directional signage' Stefanie Dykes Saltgrass Printmakers / University of Utah United States of America How will we navigate the growingly complex, interrelated political, economic or social conditions of our global future? Directional signage attracts attention to, establishes identities or communicates instructions to a fast paced moving public. Signs of the Time exhibition will utilize these inherent qualities of directional signage. |
| Tiny Touring Print Show: The Impact of the Small Carinna Parraman and Tortie Rye University of the West of England England Tiny Touring Print show: A portable show of very small prints by an invited group of artists. The exhibtion will follow a recognisable exhibition format but at an unusual scale and in a less conventional space. |
| Committed to Print Prof. Stephen Hoskins Dr Paul Thirkell, Centre for Fine Print Research, UWE England As well as work exploring the possibilities of combining digital imaging techniques with rare old processes such as collotype, printed enamels and an obscure photo ceramic printing technique, the exhibition aims to reveal the potential of some of the newer imaging technologies that have recently emerged. |