Exhibitions

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Individual Shows at UWE


Heterodox
Mr. Stephen Mumberson
Middlesex University
England

With the feel of icons or the hand coloured litho postcards from the 1950’s which forms a broad summary of my visual interests of the last 20 years, on a selection of small canvases.
Heterodox
Skylights
Mr. Alastair Clark
Edinburgh Printmakers
Scotland

The culmination of a project which began with UWE’s Perpetual Portfolio in 2005 – the first fully digital work I produced. The exhibition takes the theme of the Northern Lights an elusive subject, rarely seen in Scotland.
Alastair Clark
‘Hairdo's’
Wanda Ewing
The University of Nebraska at Omaha
United States of America

A self portrait I carved into linoleum and printed 103 times. On top of the head of each portrait I monoprinted a different hairstyle - from Punk rocker to Marge Simpson.
Hairdo's
Inkubator
Mr. David Faithfull
Scotland

Broadening the exposure to the interconnected genres of Artists Books, Prints and Multiples.
David Faithfull
Medium and Meaning
Dr. Bren Carolyn Unwin
University of Hertfordshire
England

Comprising three types of practice, which each explore a phenomenological relationship with the landscape and will be created with a different medium.
Bren Unwin
"Alien Landscapes"
plus a selection of recent works

Pete Williams
The Print Market Workshop
Wales

5 specially commissioned large Woodcut panels for a special outdoor exhibition which is likely to explore the themes of home and belonging – but is still a work in progress.
Print Market Workshop
Past desire catches the cloaked present
Barbara Zeigler
University of British Columbia
Canada

This exhibition explores a breach between the picturesque and the grotesque. Three medium format prints capture the picturesque landscape of a long abandoned sawmill in a remote area up the Pacific coast of British Columbia, Canada.
Barbara Zeigler
Collecting Monkey Puzzles
Ms. Nicky Browne
England

Monkeypuzzles of the London Borough of Richmond: Trees are either male or female and are generally planted in sad isolation. 12 linocuts, mounted in blue for boys or pink for girls. Also, there is one woodcut of a hermaphrodite at Kew Gardens.
Nicky Browne
Dilemma or Similarity? : War and Football
F Gonca Ilbeyi Demir
Anadolu University
Turkey

This series contains prints formed in the association with war and football. ‘War and football’ are far from each other in some cases, but also they are very close to each other. Today, identity and nationalism are latent focal points for observing uncivilized acts.
F Gonca llbeyi Demir
Red Colour sounds
Richard Webb
England

A contemporary reading and engagement on the dialogue of “ Colour as A language” challenging the assumptions and propositions of Artists like Kandinsky, Albers and Itten.
Richard Webb
Painting on a plate / Printing onto Canvas
Corinna Button
England

A collection of artworks which blur the boundaries between printed editions and paintings. “I like to work very physically, scraping and carving in both media…I don’t always make a print suitable for editioning in the conventional sense.”
Corinna Button
Faccia a Faccia / Face to Face
Antonietta Covino-Beehre
Monash University
Australia

From a body of work titled ‘Lifeline’, these works are inspired by elements of the body that I felt left an ‘imprint’ - the human mark. Presenting an element of human fragility, hidden and vulnerable, that lays within us all but rarely surfaces.
Antonietta Covino-Beehre
Provenance
Mr. Nick Devison
Anglia Ruskin University, Cambridge School of Art
England

Provenance brings together the work of three artists which interrogates the notion of authenticity and the provisional nature of meaning. Through a variety of print applications Nick Devison, Jo Love and Mark Shaw expose the shifting nature of perception in relation to found, invented and appropriated images.
Nick Devison
Wordscapes
Ms. Valeria Brancaforte
Spain

Languages, whether poetic, literary, or foreign have always served as nourishment, an indispensable complement, the start and end points of my artistic fluency. The technique of woodcut and linocut allows me to carve elaborate vestments and dress the text with illustrations. This process, requiring time and dedication, is the perfect medium for me to entice the semantic valences from a word to transcend, in the end, its very meaning and redefine each letter, each word into a visual spectacle. This craft is a way for me to envision new alphabetic resonances, to create new labyrinths and magic conversations.
Valeria Brancaforte
Masters of the Classics
Jan Pettersson
Bergen National Academy of the Arts
Norway

A selection of 14 well known paintings recontextualised as prints out from the historical context of reproduction that was used in the late 19th century by publishers in Europe.
Jan Pettersson
Site Surface - Transformation of the Commonplace
Ms. Jenny Peterson
Australia

Content and ideas in this body of work discuss the way people carve up, cut up and slice the land as though it is just another commodity to be consumed and owned and quarrelled over. Human space and land ownership are alluded to in subtle or obvious ways.
Jenny Peterson
Urgency and Agency : Multiples in the Public Space
Prof. John Hitchcock
University of Wisconsin-Madison
United States of America

John Hitchcock’s current artwork consists of mythological hybrid creatures (buffalo, wolf, boar, deer, moose) and military weaponry (tanks and helicopters) based on his childhood memories and stories of growing up in the Wichita Mountains of Oklahoma next to the US field artillery military base Ft Sill. He explores notions of good, evil, death, and life cycles. His depictions of beasts, animals, and machines act as a metaphors for human behavior and cycles of violence. His artwork is a response to intrusive behaviour by humans towards nature and other humans.
John Hitchcock
Before the Outburst
Rita Marhaug
Bergen National Academy of the Arts
Norway
Rita Marhaug
Before the Outburst
Greta Grendaite
Vilnius art academy
Lithuania
Greta Grendaite
Alice's Garden and other Realities
Mrs. Louise Bloom
Canada

Works inspired by personal revelations about the human condition. Word and symbol become metaphor. This is my own narrative, looking for it's expression through image. I am never far from a literary process. The characters from Alice’s Garden are well established literary icons in new garb, carrying their own celebrity and solemn symbology.
Louise Bloom
Are you looking at me?
Justin Diggle
University of Utah
United States of America

The theme of the Portfolio takes as its central focus the idea of Surveillance and how this may be manifested in our increasingly technological society. The diverse responses of the artists in the portfolio will reflect their different backgrounds and present-day concerns and will perhaps answer some of the following questions. What are the positive and negative aspects of this monitoring? How does this affect us as individuals? Are there basic freedoms that are being eroded? and do these technologies change the way we interact with others?
Justin Diggle
INCISE
Ms. Jenny Smith
Studio 114, WASPS Studios
Scotland

An investigation into the definition of drawing in the context of memory and place. The work will be in a variety of media, and have particular reference to the way hand rendered imagery can be interpreted within the digital medium of laser cutting.
Jenny Smith
Imprint of the Nature
Jelena Sredanovich
Academy of fine arts, Novi Sad
Serbia

The project consists of 10 woodcuts which I have been produced since 2007. For the past two years the reflections of trees on calm ponds, waves which curl in a way to cause the vibrating effect of the light beams, shadows that overlap with the circles of water are the most frequent subjects of my prints.
Jelena Sredanovich
Dreams of Order
Anita Jenson
University of Art and Design Helsinki
Finland

The works for this exhibition has incorporated old Western and Japanese photographs and encyclopaedias, together with a variety of science books.
Anita Jenson
Recent Productions in Print and 3D
Mr. Andrew Folan
National College of Art and Design
Ireland

My current practice uses quasi-religious imagery combined with contemporary social and metaphysical themes.The exhibition would include these works and a proposed series on similar themes using Rapid Prototype components combined with print.
Andrew Folan
Climbing over Britain
Mr. David Ferry
Cardiff School of Art and Design, UWIC
Wales

A new and ongoing set of prints inspired from my original Artists book entitled ‘belligerent rock intrusions…mainly in black and white’. I have collided a series of professional rock climbing instructions with a text on British Tourism.
David Ferry
Scope3
Mr. Richard Harding
RMIT University
Australia

Scope3 is a multidisciplinary project utilising screen-printing, digital imaging and plan printing on various paper types and installed with mirror strips.
Predominantly, a giant barcode, although the installation operates in several modes.
Richard Harding
Delayed by Storm
Edward Summerton
Mains of Airlie
Scotland

A limited edition of 100 boxed sets of 10 Postcards, each hand stamped with a unique frank and self designed Summer Isles stamp. To celebrate the invitation of the summer isles post office to design a set of 4 stamped and first day cover to be launched in August 2009.
Delayed by Storm
Masks Unmasked
Wuon Gean Ho
East London Printmakers
England

The 15 prints in the Mask series explore the notion that humans have more to their surface appearance than meets the eye. As we walk through life, we accumulate memories: ghosts; attachments and connections; nostalgia for the past and expectations for the future. I wanted to explore the expression of inner emotions and true histories, and show faces that are essentially stripped of the mask of social pretences.
Wuon Gean Ho
Carry that weight
Ms. Marian Crawford
Monash University
Australia

The exhibition is of a group of mobiles, and two works on paper. The etched images that make up these works describe specimens of endangered and vulnerable plants, housed in the collection of the Herbarium of the Melbourne Botanical Gardens.
Marian Crawford
Public Art Project - digital prints on vinyl: work in collaboration with a group or agency to create a site specific work to be installed within a public ‘non- conventional space’
Mr. Paul Greco
University of Northampton
England
Venue tbc

Work in collaboration with a group or agency to create a site specific work to be installed within a public ‘non- conventional space’
 
Mechanical Brides of the Uncanny
Mr. Edward Bateman
Edward Bateman
United States of America

Mechanical Brides of the Uncanny – A Grand Collection of Cartes de Visites acquired from various and sundry locations documenting the brief period of automatons